Steinberg Cubase 5 & 5.1.2 Update & Activate PC x86


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Steinberg Cubase 5 & 5.1.2 Update & Activate PC x86 | 3.44 GB

Igot this a while ago when it first came out and ive added updates tov5.1.2 (Included) . Ive been using it since then and its always donethe job. I currently use this software every Friday to multitrack mybands Jamming seesions and its always delivered. Ive also includedevery Steinberg legacy VST released up to Cubase 5.1.2
(Install Instructions Included)
Theres also some popular drum synth plugins maps for Addictive Drums,Toontracks EZDrummer,And DFH kits.
Also Included

ASIO4All 2.1.0 x86 x64 Driver
All Steinberg legacy VST Plug-Ins to Cubase v5.1.2
Full .PDF Documentation Included
100 Quantize Grooves
Complete Covers
HALionOne & VST Sound Collection
Expression Set
GM Drum Set
GM Set
Groove Agent ONE & Content
HALionOne
HALionOne Update v1.1.0.2
LoopMash Content
Pro Set
REVerence Content 01
Steinberg Drum Loop Expansion 01
Steinberg HALionOne Additional Content Set 01
Studio Drum Set
Studio Set
Quicktime 7 Pro
Steinberg Rebeat
Steinberg Virtual Guitarist FX VST
VST Expression Set
Complete VST Presets
Steinberg Cubase v5.1.2 UPDATE & Activate Working Dongle EMU
Steinberg Cubase 5 Quick Reference Card
TEAM AiR Steinberg Dongle EMU Installer [Final Release]

Basicallyeverything you need to get Cubase 5 installed and running All in one.iso image that you can mount using a virtual drive or burn onto a 4.7gbDVD and install.

For anyone still unfamiliar with Cubase, itsmodern incarnation is as a one-stop, do it all DAW, featuring audioand MIDI sequencing, virtual instruments, loads of effects, a virtualmixer, automation system, and so on.

Technically, this is thesecond time Cubase has reached version 5, as following 2000s release ofCubase VST 5, Steinberg ditched the digit and launched the vastlyoverhauled Cubase SX in 2002.

Eventually, the SX tag was dropped and we find ourselves once again at v5.

Pitch adjustment
Beforelooking at the more subtle improvements, lets tackle some of the bigones, the most impressive of which is the spruced up Sample Editor withits VariAudio pitch editing.

This is similar to CelemonysMelodyne but tightly integrated into the app. While its not the firstDAW to get this (Samplitude and Sonar have similar systems), it isprobably the slickest.

VariAudio operates on monophonic audio ?typically vocals, but other instruments can work too. Large colouredsegments that look like notes on a piano roll identify each note, and afine continuous line called the micro-pitch curve shows the actualpitch. Clicking a segment plays it back immediately.

Typical usesof VariAudio include editing the pitch of individual notes by draggingthem; applying pitch quantising so that notes are more in tune; andstraightening notes to remove wavering pitch or suppress vibrato. Youcan shift the timing of notes, too.

Get under the hood ofVariAudio and there are more subtle adjustments to be made, such asaltering the start or end pitch of a segment, or tilting its pitchcurve; exporting the notes as MIDI data; and setting the notes via MIDI.With the latter, you step through segments with each key press.

Theresalso a real-time pitch correction effect called ? wait for it ?PitchCorrect. You can quantise to a chromatic, minor or major scale, or acustom one defined by clicking notes on the on-screen keyboard.

Itoffers the expected features such as speed of retuning, tolerance,transposition and formant-shifting. Its only a shame that it doesntoffer diatonic (ie, in key) pitchshifting too. Quality-wise, bothVariAudio and PitchCorrect sound the business

Convolution reverb
Theother new audio effect for Cubase 5 is a convolution reverb namedReverence. It comes with a library of impulse responses, some withsurround versions too, and you can import your own.
Once loaded, youcan view a waveform or spectrogram (frequency response over time). Youcan set the pre-delay; scale the IR to set the decay length; set thesize of the room (this seems to work by skewing the frequencyresponse); set the mix between early and late parts of the signal andwhere theyre divided; apply EQ; and engage auto-gain and reverse.

Amatrix at the top of the GUI lets you recall up to 36 reverb setups ?very handy! Sonically, its much like any other quality convolutionreverb; that is to say, excellent. Downsides are that it introduces asmall amount of latency, which can make it unsuitable for livetracking/monitoring, and that the smooth parameter changing sometimesmeans a delay before you hear the results of your tweaking.

Instruments and plug-ins
Thereare two new instruments in Cubase 5, both of a rhythmic bent. The mostunusual is LoopMash. The idea is that you throw in rhythmic loops andtheyre chopped up, with the slices analysed for similarities.

Selecta master loop, hit play, and slices are pulled from all the loops torecreate the master loop using different sounds. Sliders determine howlikely it is that a given loops slices are selected. There are furtheroptions, but thats the crux of it.

If your loops arent alreadytagged with their BPM in MediaBay, LoopMash doesnt always get theslicing right, so odd-length loops or beats running at double-speed canoccur. We often experienced a confusing error complaining about theregion being outside the file, too.

LoopMash is a groovy concept,but the bottom line is that getting good results out of it is generallymore hassle than its worth.

The new Groove Agent One is asimple MPC-esque drum sampler. Sounds are added to the 16 pads bydragging, and you can velocity-layer up to eight on each (but you cantstack them to play back together). On a per-pad basis, you can setlevels, panning, looping, tuning, assignment to the 16 stereo outs,filtering, amp envelope and more.

There are 43 good-quality kitssupplied, and you can also import Akai MPC files in .pgm format. Onegreat trick is that you can slice a loop in the Sample Editor, drop theresulting clips onto Groove Agent One, and drag a MIDI clip thattriggers the loop back onto the Project Window, a la ReCycle.

BeatDesigner is GA Ones step sequencing counterpart (but it can drive anyother instrument, of course). Its a MIDI effect plug-in with aresizable GUI (some of the other plug-ins could do with this!) wherebyyou click to toggle cells on and off, and drag to change velocity, shownby colour.

Each drum can use one of two swing settings, andtheres an offset lane for moving sounds ahead of or behind the beat.You can apply two, three, or four-stroke flams to each individual hit,with the timing and velocity of them definable by the user. There arenumerous options for editing beats and transferring them to MIDI clipstoo.

The other new plug-ins is MIDI Monitor which, thanks to its List Editor-style display, is handy for investigating MIDI issues.

Automation
Automationhas received a kick in the pants for v5, with an Automation Panelgiving quick access to relevant functions, some of which were previouslyonly in Steinbergs high-end Nuendo DAW.

You can easily hide andshow various types of automation, and suspend (suppress) reading andwriting of certain things; for example, you could record automation ofvolume changes but not EQ tweaks.

The Trim mode is supposed toenable you to manipulate volume or aux send automation, for situationswhere you want to apply a further volume fade or similar. Unfortunately,it results in a curve with unwanted spikes ? Steinberg is aware of theissue and will fix it in an update.

In previous versions, usingthe controller lane in a MIDI part and track automation to control thesame parameters could be problematic, but a new rule-based system meansyou can specify what happens if theres a conflict.

Anotherprevious bugbear of ours was that the tempo curve and time signaturewere defined in a separate window, but this has been solved too, withdedicated Tempo and Signature tracks.

VST Expression
If youveever used an orchestral library ? or any instrument with multiplearticulations ? youll be familiar with drawing in keyswitching notes orusing CCs to flip between playing techniques.

While this seemssophisticated enough, Steinberg is taking it to the next level with VSTExpression. This gives an Articulation lane in the Key Editor with namedrows for each technique, and you paint in the ones you want to use ?the correct symbols appear in the Score Editor, too.

This newsystem uses Expression Maps to tell Cubase how to access specificarticulations of an instrument, and third-party vendors such as Garritansay theyll be supporting VST Expression in future. In any case, itspretty easy to make your own maps.

One neat new bonus comes inthe form of 14 real instrument patches for the included HalionOneROMpler, all of which sound great and come with Expression Maps.

Othervery welcome improvements include Channel Batch Export for exportingmultiple channels (perfect for creating stems); sorting of VSTs byvendor/category for easier plug-in browsing; overhauled GUIs for theMIDI plug-ins, Logical Editor and Input Transformer; and a RemainingRecord Time floating window.

Laptop users will appreciate the newVirtual Keyboard, which has a two-octave mode, like a tracker. On thesubject of small-scale setups, we should mention that while a minimumdisplay resolution of 1024x768 is recommended, the multi-windowedapproach of Cubase really benefits from a larger screen or, indeed,screens.


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