Digital Redux Bass Is Nasty MULTiFORMAT SCD DVDR-SONiTUS

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Digital Redux Bass Is Nasty MULTiFORMAT SCD DVDR-SONiTUS



Digital Redux Bass Is Nasty MULTiFORMAT SCD DVDR-SONiTUS | 1.21 GB

BASS IS NASTY is a huge collection of uniquely processed synthesizer bass samples. The sample library is an essential tool for producers wanting to add some grit and grunge into their tracks. The library is not genre specific and therefore could be used by producers working within many genres, such as drum & bass, dubstep, techno, electro, IDM, hip hop, and R&B. The synthesizers have been run through combinations of distortion boxes, guitar pedals, amps, pre-amp, EQ?s, compressors, and various outboard equipment.
The equipment has been both used and abused in order to add grit and grunge that is second to none. The bass has been sorted into themes, labeled in key, and presented on the DVD in multi format for easy integration into your studio environment.
This library is over 2.5 GB in size and is packed with the freshest sample material. Recorded in 24bit. Containing 1050 Audio Samples. It is an essential tool for any producer looking for a ruff edge on the low end.
Bass Echos - Atmospheric
Bass Echos - Dubby
Bass in Space
Bass Stabs
Buzz Bass
Distorted Kick Tones 1
Distorted Kick Tones 2
Fuzz Bass
LFO Bass
Mellow Bass
Nasty Bass
Phazer Bass
Bass with an attitude and atmospheric vibe.
Bass processed and then run through the space echo.
Distorted bass that is lost in the depths of space.
Ruff and ready bass stabs.
Buzzing and ripping bass synths.
A variety of process chains applied to kick basses and tones - including guitar pedals, amp, distortion boxes.
Fuzzy and the meanest bass.
Bass distorted and filtered with LFO modulation.
Bass distorted but on a mellow vibe.
Raw nasty and agressive bass.
Phazed, flangey, and ripping bass.
This product is intended for use by recording artists, songwriters, producers, engineers, D.J.'s, recording studios, and sound designers. Our libraries will aid you in creating your demos, records, remixes, commercials, jingles, post productions, sound tracks for film, theatre, musicals, live performance, computer games, and multimedia productions.

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Mirror 2:

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